That this story is told by way of the exploits of a tiny, faceless robot only makes it more extraordinary. It is a story about love and loneliness, perseverance and triumph, the possibilities and pitfalls of human existence. and 2001 -and the silent intimacies of Buster Keaton and Charlie Chaplin. It is, in a word, a marvel, a film that recalls in equal measure Hollywood’s most evocative future visions - Blade Runner and Brazil, E.T. Pixar’s newest movie, WALL♾, is firmly in the latter tier, and quite possibly at the top of it. And its best efforts ( Toy Story, The Incredibles ) are simply transcendent, rivaling the finest live-action films in sophistication and sentiment. Even Pixar’s weaker offerings ( A Bug’s Life, Cars, and - in my moderately heretical view - Finding Nemo ) have exceptional depth and texture, moral as well as visual.
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No movie star, no director, no writer, producer, or studio approaches its level of consistent excellence. For over a dozen years now, the best name in American film has been Pixar.
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